Wednesday, February 16, 2011

Sci-fi on the cheap

If you're like me, you probably don't have a whole lot of cash to spend on books. They are a great addiction, but if you have to choose getting to work for the week and buying Orson Scott Card's latest offering, you'd have to choose work, right? Right?

So, it thrilled me to find this link on Publisher's Weekly Genreville blog. It's got a pretty thorough run-down of places where you can read great sci-fi, fantasy and other speculative fiction for free. And it's all legal!

Score!

BTW, if you know of any other places, especially to find Speculative fiction by and about Africans, please let me know. 

Saturday, February 12, 2011

A round-up of some cool web finds

In my limited wandering around the web, I stumble across interesting finds, which make me go "hmm... I should write about that." But because I'm the lazy sod that I am, I'm just going to share the links with you.

In honour of the upcoming Valentine's Day weekend, I want to point you to this great article by film critic Daniel M. Kimmel. He looks at romance in Sci-fi movies and shows that the inspiration that love provides in great storytelling doesn't end with rom-coms or literary fiction. 

Speaking of literary fiction, there is a spirited debate in the UK about whether speculative fiction will be left out of the Man Booker Prize - again. The genre is reaching a new golden age, and its British writers  like Neil Gaiman and China Mieville are at the forefront of the trend. It might be that the argument is a moot point. Despite the debate, writers like Kazuo Ishiguro in his latest work, "Never Let Me Go," are blurring the lines between genres and still writing good stories, whether the Booker Prize committee is taking notice or not. 

And if you want to read some of the coolest speculative fiction that aren't quite making it past the publishers inboxes? Check out Slushpilereader.com. Admittedly, some of these stories could use a little professional editing, but they are enthusiastic, fresh and vibrant voices that, for some reason, are flying under the radar. 


Finally, I want to say thank you to some Facebook commenters who pointed me to Maurice Broaddus, during a spirited debate about race and fantasy fiction. Mr. Broaddus is an African-American speculative fiction writer who's doing some cool stuff with the genre. I haven't read his series "Knights of Breton Court" yet, but dude, I really want to. 

Friday, February 11, 2011

Nnedi Okorafor gets it on with Tor.com

Nnedi Okorafor, author of "Zahara the Windseeker," "Who Fears Death" and "Akata Witch," has just had one of her short stories published on Tor.com.

Nnedi is an amazing writer of speculative fiction that uses African themes and is frequently set in Nigeria. The story is preceeded by an informative round-up of sci-fi and fantasy set in Africa. It includes the works of H. Rider Haggard, which I would not personally recommend because of his often questionable depictions of Africans, and it doesn't seem to include works by any actual Africans, but it's still a pretty useful list.

Two of my favorite things just got together and here is what they produced: http://www.tor.com/stories/2011/02/the-go-slow

Enjoy!

Wednesday, February 9, 2011

Mirror, mirror


The wizard stared at the mirror’s warped surface in disbelief. What had happened was not possible. He had planned everything so carefully, overseen every step of the process. What had gone wrong?



The mirror’s edges were still glowing with that awful bluish light – a light so... so wrong that it made him ill to see it. Faint wisps of smoke were still curling languidly from the surface. If he looked closely enough, his practised eyes could just make out the girl trapped inside, like a life-like paper doll encased in a thick block of ice. And when the light hit the mirror at just the right angle, he could see that she was still screaming.
*****
                
At first glance, there was nothing special about the room. Four walls, two windows opposite each other and a small built-in closet. It was one of those boy’s quarter affairs where the shared bathroom was located at one end of the building with the kitchen at the other, both connected by a broad verandah that ran past two rooms.
                
Nothing special, but it was everything I wanted: ridiculously cheap, roomy, clean, and most importantly, quiet. Well, there was that mirror on the outside of the door, but I resolved to change that as soon as I could.
                
It was my need for quiet that had drove me from my parent’s house in Lagos. I had returned to Nigeria to work on my book, but it had been two months and I had made little progress. If it wasn’t my mother shouting at the maid at 6 a.m. every morning, it was the screams of the muezzin calling the faithful to prayer five times a day, the cries of the hawkers, the near constant hum of traffic, or the diesel-soaked gargle of the generator at night.

I had been to Abuja as a kid, and I still remember how quiet it had seemed to me. How green and peaceful. My father’s friend, an old general whom he had served under during the war, had built a lovely house on the outskirts of the city when he retired. I persuaded them to let me stay in there for the rest of my yearlong sabbatical.
              
I had covered the floor with a lovely wine-colored carpet.  I had a bookshelf that held my research volumes, some knick knacks and picture frames, and a small radio/CD player.  A white two-seater couch that folded out to a bed sat under one window. Next to the closet, I had a set of two plastic chairs, a table and a small fridge.  

I never did get around to changing that mirror, though. Every time I walked up to my door, I felt a frisson of irritation. Catching sight of my reflection as I approached always made me think there was someone standing at my door waiting for me. But as soon as I entered the room and closed the door, it was as if I had entered my own little world.

I had never thought to ask why this room, with all its advantages, had remained empty for so long. My neighbor, an up-and-coming young marketing executive named Oniye, told me no one had lived in there in the nearly seven months since she had moved into the compound, but she was reluctant to say more. The other neighbors, those who lived in the main house, would not even speak about the room.
                
Only David, the guard, ever asked me about the room. About a week after I moved in, I was returning home with a load of groceries. He came out to meet me at the compound’s gate and helped me carry the heaviest bags inside.
                
“Auntie, abeg, make you tell your visitor not to dey shout so,” he said after loading the bags on the verandah in front of my door. “Madam say she no fit sleep for house.”
                
“I don’t have any visitors,” I said. He looked at me strangely, as if he had just remembered something terribly important. For a moment, he seemed frightened.
                
“Maybe I left the radio on.”
                
“Ok, yes. Na so, na so,” he nodded quickly. He was suddenly eager to be away, not even waiting for his customary 20 naira tip. I watched him hurry back to the front gate, bemused. My people are a superstitious lot, given to exaggeration. It was not the first time I had been warned away by tales of witchcraft and sorcery, men turning into goats, women who could fly. I was a professor of African religions and philosophy, believe me, I had heard them all.
                
One evening, about a month later, I returned home late. The conference had gone on too long.  The chairman had insisted on giving one long rambling speech after another before every event on the itinerary. What was slated to be a dinner engagement produced no food. By the time I arrived home, I was hungry, tired and very irritated.
                
So, I dismissed what I saw as a product of my overactive imagination. Only after I had eaten and was drifting off to sleep, did I remember. Coming up to my room, I had seen a woman reflected in the mirror on my door. And it wasn’t me.
*****
                
Some time that night I awoke. The power had gone out and the room was stifling. The digital alarm clock on the bookshelf was blinking at 12:00, as if the outage had shorted it out – though it was battery operated. A strange blue light was leaking from under the front door. It seemed as if someone had lit a hundred florescent lamps in the shared hallway.
                
But I knew there was nothing out there except a single naked bulb hanging from the ceiling.  The cold hand of fear gripped my throat. My skin erupted in goosebumps. I burrowed under my blankets, hoping perversely that if I ignored it, the strange light would go away.
                
BANG, BANG, BANG! A knock on my door. I bit my lip to suppress a scream. I didn’t believe in the diabolical. I was too rational for that. There were no such things as witches, spirits or ghosts. But there was someone or something knocking on my door in the middle of the night, amid a light that should not be, and I was afraid.

I suddenly realized that I was all alone out here. I could call the police, but this was Nigeria. There was a good chance they wouldn’t come on time – if they came at all. My neighbors were all single women like me, and not likely to try to take on intruders on their own.
                
Suddenly, it was quiet. I waited for the knocks to continue, but nothing came. Cautiously, I peeked out from under the covers. The light was gone. I closed my eyes as waves of relief washed over me.
                
The next morning, I got up as usual. I fished my bathing bucket from out of the closet and headed out to fetch the water I would heat for my bath. I opened the door and stepped out.

******
                My name is Marcel. It is April, 1925, in Paris. I live in a shabby flat above a bakery in the Student’s Quarter on the Siene. People see me as a well-dressed man about town, slim, dark-haired, pencil-thin moustache. But they do not know the dark desires that drive me. The things I have done in the heart of the night. They do not know of the sighs, the screams, the pleas. They do not know…

******
                Ma name’s Ella Mae Brown. It is 1944, August in Savannah, Georgia.  The heat is almost alive, a thing onto itself. ‘Been singin’ at a spot in the negro part of town. It don’t bring in much, but I make it up in other ways.  Pekoe been askin’ me why am still in this dump. Says with ma voice I could be playin’ the Cotton Club in New York or sumpin’, but I knowed I ain’t that good. Don’t know how to tell him, but bein’ up on that stage’s the only time I feel alive. Don’t get to feelin’ like that noplace else. Not even with him…

******
You can call me Lel. My true name doesn’t matter. I have been running for so long, I don’t remember what it was like before. I don’t even remember my crime. I have escaped them in every way, but still they come. I have stabbed them with knives, burned them with brands, drowned them, ripped them limb from limb and still they come. I am beginning to think that they will never give up, that it does not matter whether I run or stay and fight. But I will escape. I must. They will not drag me down with them. They will not win…
******
                
A wordless, keening scream filled with more agony than any human can endure. As if all the grief of every age and time were contained in it.  It continues without respite, without end.
******

The door slammed shut and I was standing in front of the mirror. I had dropped my bucket, but I don’t remember doing that. I am shaking. The voices are still echoing in my head. I can still feel the detritus of their lives, the smells, the tastes. I look at my reflection and it as if I have aged decades. My hair has turned completely white; there is something haunted about my eyes. My hands are still my own, though.
                
“Anne!” Oniye calls out my name. I turn, startled. She is shocked by my appearance. “Ah! What happened? Anne?”
                
I try to tell her what happened, but my voice is gone. Stolen by the lives inside me. I walk up to her, she shrinks away.  They tell me that I started running and that they found me half-naked in Garki three days later. But I don’t remember that and I’m not sure I believe them.
                
I’m back in the States now. In a nice room here. Very quiet. They say I’m not allowed to go outside and I laugh. Because I can go out anytime I want. Paris, Georgia, New York, even places that have no name yet. Because in my room, anywhere is possible.

Wednesday, February 2, 2011

Books that have influenced me


I was inspired by a Facebook meme which asks users to list 20 authors and poets who have had the most influence on them. The catch was that it had to be the first 20 writers they could recall in no more than fifteen minutes.

Here's my list. Those authors without titles are people whose work I admire as a whole:

1.  Stephen King
2.  Chinua Achebe – Things Fall Apart
3.  Robert Jordan
4.  George R.R. Martin
5.  Anne LaMott – Bird By Bird
6.  William Shakespeare
7.  Oscar Wilde
8.  Charles Dickens
9.  Mark Twain – A Connecticut Yankee in King Arthur’s Court
10. Edgar Allen Poe
11. Ben Okri – The Famished Road
12. Anne Rice – Interview with a Vampire, Vampire Lestat, Queen of the Damned
13. Margret Atwood – The Handmaid’s Tale
14. Mariama Ba – So long a letter
15. Ray Bradbury
16. Arthur C. Clarke – Childhood’s End
17. Marion Zimmer Bradley – The Mists of Avalon
18. Ursula K. LeGuin – Left Hand of Darkness
19. Victor Hugo – Hunchback of Notre Dame
20. Stephen R. Donaldson – The Chronicles of Thomas Covenant the Unbeliever, The Mirror of Her Dreams, A man rides through

Sunday, January 30, 2011

New finds: Webcomics

I want to thank my good friend Bob Voros for introducing me to two great webcomics.

Comiccritics.com is follows a group of comic geeks who work in a bookstore. It also takes a funny look at the business and insider news of the comic book world. It's pretty cool.

The Hero Business is my personal favourite. It's about the people who work in a marketing firm for superheroes. It combines office humour with standard superhero tropes. It's very smart and very funny. Check it out.

It takes me back to one of the first webcomics I discovered in 2009. Snafu comics used an anime-inspired style to combine characters and from some of my favourite Cartoon Network cartoons such as Dexter's Laboratory, Powerpuff Girls and Samurai Jack and create what I still think are some of the coolest art on the web. Sadly, the site hasn't been updated in nearly a year. You can still see them here.

Thursday, January 27, 2011

The feminist critique

I recently discovered that there was an arm of academia dedicated to the study of feminisms in science fiction. Now, how cool is that? I have always critiqued what genre fiction I come across along feminist lines – I am always interested in how female characters are portrayed and treated - but I had never thought to make it a formal line of study. To find that it is not only a line of study, but that several scholars have done dedicated research into it, warms my nerdy heart. Because last year, I read a few stories that got me thinking about how female friendships are portrayed in the media.

Friendships have always been fraught. However, in patriarchal societies they come with extra strain. One of the tools of a patriarchy is to pit women against each other. It’s the classic divide-and-conquer strategy. If women are constantly vying against each other for the attention of men, they can never come together to truly challenge the status quo. Another tool of patriarchy is to tie a man's sense of self to very narrow sets of actions. Thus, men must walk a fine line to constantly prove their masculinity.

Thus, in many patriarchal societies, there is a constant fear among men that expressing too much vulnerability in their friendships with other men will make them seem weak or worse, gay. Among women, there is an underlying fear that your friend will steal your man. In popular culture, the anxiety among men is often treated with humour, but that same anxiety in women is often portrayed as more sinister.

We carry our real-world preconceptions and prejudices into our fantasies and three speculative fiction examples, Jennifer’s Body (movie directed by Diablo Cody), Ponies (short story by Kij Johnson), and We Heart Vampires!!!!! (short story by Meghan McCarron), show that the underlying assumptions about friendships among women can remain in place even when all the other rules go out the door.

In the movie "Jennifer’s Body," the friendship between two teens is tested when one of them turns into a succubus and has to devour men to live. In "We Heart Vampires!!!!," a similar teen friendship is strained when one of the girls starts dating a 70-year-old vampire who may not be the mysterious angst-ridden lover he seems to be. In "Ponies," a little girl must decide whether to sacrifice her beloved pet to join a clique of popular girls.

In each of these stories, there is an element of competition. One teen is more attractive than the other. In "Jennifer’s Body," Jennifer is a devastatingly attractive teen who can – and often does – get any man she wants, but all she wants are the men in her friend’s life. Needy is content to lose out to her more popular friend, but things get sticky when the insatiable Jennifer goes after her boyfriend. In "We Heart Vampires!!!!," Bob is far more popular than George. George is resigned to the fact that when  Bob has a new man, she takes second place. But an ill-fated trip to the mall with Sven, Bob’s new vampire boyfriend, exposes the fault lines beneath their relationship and brings some startling conclusions to the forefront. In "Ponies," the question of status – being in the popular crowd – becomes a matter of life or death.

There is no denying that there is an element of competition in friendships among women. Lucinda Rosenfeld’s “I’m So Happy for You,” is a funny, intelligent examination of this issue. Yet, I can’t help but wonder if all these stories are missing something. Yes, being friends is tough, but isn’t the trope of the bitchy alpha female and her clueless/naive subordinate a little limiting?

There is a vast amount of scientific evidence that shows that women have more fulfilling and sustainable friendships than men. Because of the way they are socialized, women are often more comfortable sharing their feelings with each other. They tend to be less hierarchical, relying on horizontal networks rather than a single leader. Friendships between women can be the bedrock of a lifelong journey of mutual support and understanding. A vein of reassurance that can enrich any life.

So while these stories may make for exciting entertainment, I can’t help but feel they may have missed the point.